Saiki Kusuo no Ψ-nan, if you speak Japanese or can read subtitles fairly quickly.

Frieren feels like a fantasy SOL for 80% of the time to be fair.

GoHands has a style in the same sense that Neil Breen movies do.

I agree. Maybe it was just easier to gloss over that in the manga, but I don’t remember it being so unnecessarily drawn out. Maybe it’s like that in the light novel? At any rate it really doesn’t fit the tone of the series in the beginning, so it just comes across as incredibly tasteless and awkward.

The storytelling wasn’t bad by any means, but it was probably the weakest aspect after the music direction. It’s possible that my viewing experience differed due to not having played the video game or knowing anything about the world from the tabletop rpg.

That’s because this started as a manga not a light novel. Different mediums use different ways to grab viewers attention and most light novels summarize the entire plot in the title. I highly recommend reading the manga for this series, it’s very good (can’t say if the anime is any good, but they must be doing something right if it’s entering the fourth season).

This was a bit too heavy on the whole revenge porn thing for me personally. It is exactly what it says on the tin though, so you’ll definitely know if you’re interested from the title alone.

No. I have no idea how anyone would think so.

I stopped reading the manga after the erectile dysfunction at magic high school arc dragged on for months and ended with a relationship that still puts me off when I think about it. It’s like the author just can’t stop reminding the reader of what an unlikeable turd the MC can be. It is a very good story aside from those aspects, but that’s not enough for me to agree with your bold statement. I much prefer Iruma-kun, Overlord, Konosuba or Tsukimichi.

You’re probably right, but that doesn’t seem like much of an indicator for anything regarding the quality of the final product. Production was handled by Trigger and we don’t know if Netflix had any kind of supervision. Dungeon Meshi aired on all the usual TV channels in Japan as well, so Netflix isn’t the only licensee.

That “Netflix-produced” label seems very vague. Beyond being licensed by Netflix outside of Japan I don’t know of any way that they influenced the production of Dungeon Meshi.

I felt the exact same way. I think that the manga definitely improved after the initial classroom isekai setup story was over.

I prefer the manga, simply because it’s easier to gloss over the parts that I’m less interested in. The anime adaptation is quite good though and the animation in the comedic scenes is well paced and high quality.

The biggest age gap is between the MC, aged 16 and his 89 year old girlfriend, who is the grandmother of his other girlfriend. As you can see, this series takes itself very seriously.

I’ve never heard about this and I can’t find anything on the internet either.

It looks exactly like I expect a GoHands show to look like: poopy textures and confusing camera movement falling way short of their ambitions. Can’t wait for the obligatory stock green screen vfx and overly shiny reflective objects in the final release.

The new Bartender anime was pretty good.

It’s going to be interesting to see how much of the manga will be adopted. It’s not just insane, but also insanely gory.

https://anilist.co/forum/thread/75217

Those are separate matters as far as I am concerned. Gainax has been effectively defunct for years now and on the decline for more than a decade.